Nightmare on Elm Street, A Script at IMSDb. International. French scripts.

A Nightmare on Elm Street, by Wes Craven. Wes Craven's. A NIGHTMARE ON ELM STREET. A. INT. (MONTAGE). A. NIGHTMARE MUSIC THEME begins as we FADE UP on a SERIES OF SHOTS. CLOSE and teasing. A man's FEET, in shabby work shoes, stalking.

A huge BOILER ROOM is what it. Then we SEE a MAN'S HAND, dirty and nail- bitten. INTO FRAME and pick up a piece of METAL. ANOTHER ANGLE as the HAND grabs a grimey. WORKGLOVE and slashes at it with a straight. CLOSE ON SAME HANDS dumping four fishing knives.

Their blades are thin. MORE ANGLES, EVEN CLOSER.

We can HEAR the MAN's. BREATHING, but we still haven't seen.

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We never will. We just SEE more metal. FIRE, and a deep. STEAM and HEAVY, DARK ENERGY. And then we see this linkage attached to the glove. Then the BLADES attached to all of it. Then the MAN'S HAND slips into this glove- like.

Suddenly the HAND arches and STRIKES. FORWARD, SLASHING THROUGH a DARK CANVAS, tearing. EXT. LOS ANGELES. NIGHT. (2nd Unit) 1. A PULSATION OF LIGHT AND SHADOW. MUSIC DROPS AWAY to a hushed. RUSHING OF WIND and DISTANT SIRENS.

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CAMERA RACKS INTO FOCUS on a. HIGH PANORAMA of the San Fernando Valley, its night sky lit from. GREENISH LIGHT. TITLES BEGIN. CAMERA TILTS DOWN and ZOOMS SWIFTLY into the valley's web of. CUT TO. 2. INT. CONCRETE PASSAGEWAY. TITLES CONTINUE as TINA GRAY, a strong girl of fifteen in a thin.

Her. steps quicken as TITLES appear in the portion of frame she leaves. A subliminal COLLAGE of SOUND threads in and out of the MUSIC. Distant insane LAUGHTER. Slamming iron DOORS. A bleating animal. CRY. A LAMB, white and blank- faced, skitters across her path and.

No reason why it's there. Then another SOUND, much nearer - - the slithering SCRAPE of. It sets our teeth on.

MUSIC, and sends TINA running. INT. BOILER ROOM. Suddenly TINA's a tiny figure running among huge boilers steam.

She. stops, listening intently as the SOUND of tiny hooves suddenly. DISTANT RAIN. Then she hears RIPPING FABRIC. Someone is shouldering behind a ragged screen of dirty canvas. TINA. CLOSER ON THE CANVAS.

The long curved fingerblades suddenly. They make a hideous, extended RIPPING SOUND.

TINA rushes away, hands over her ears. ANOTHER ANGLE - - as the blinded girl stumbles backwards. Then. the canvas flaps free. The blades are gone.

The TITLES END, and. Watch American Mary HD 1080P more. CAMERA CIRCLES until TINA's looking right into our eyes.

The. light from a nearby boiler pours through her thin night dress. Then a deep, ragged VOICE. CAMERA CLOSES IN ON HER FACE.

VOICE (O. S.). One two, Freddie's coming for. TINA opens her mouth to scream but only a dry, yellow dust pours. And at that precise moment a huge shadowy MAN with a grimey. And it's his fingers that are tipped with.

TINA dodges away, her legs suddenly elephantine and slow. The. MAN seizes the trailing hem of her nightgown and hauls her back. The MUSIC shrieks as TINA manages to tear free - - the MAN lurches. SHOUT as we - -. SMASH CUT TO.

INT. TINA'S BEDROOM. NIGHT. 4. TINA convulses in bed with a SCREAM, looking around wildly. Someone is KNOCKING on her door. WOMAN'S VOICE (O.

S.). You okay, Tina? TINA'S MOTHER sticks her head in with a worried look. TINA sits. up and blows out a breath, groggy. TINA. Just a dream, Ma.. Damn dream, is all.. The woman, once attractive, ventures a step into the room. A MAN. hovers BACKGROUND.

TINA'S mother waves him away without looking. She appraises. her daughter. TINA'S MOTHER. Some dream, judging from that. She nods at TINA's nightshift. TINA looks down at her nightgown, only now aware of the chill.

There are four long slashes up its. MAN (OS). (distant, annoyed).

You coming back to the sack or. TINA'S MOTHER. Hold your horses. Tina as she. stands to leave). You gotta cut your nails or stop. Watch The Alpha Incident Online Facebook. Tina. One. or the other.

The woman shuts the door behind her. TINA looks back to her. TINA. (low). Oh, shit.

She suddenly snatches up the cross that hangs over her head, her. FADE TO BLACK. BURN ON. THE FIRST DAY 5. CHILDREN (OS). (singing). One two, Freddie's coming for you.. Three four better lock your door.

Five six grab your crucifix.. EXT. HIGH SCHOOL. DAY. 6. FADE UP ON SHOT OF this large highschool and its crowds of. STUDENTS. FOREGROUND, TINA climbs out of a cherry- red 1.

Cadillac convertible with two other students, best friend NANCY. WILSON, and Nancy's boyfriend and owner of the car, GLEN LANTZ. FOREGROUND several GRADESCHOOLERS are playing jump- rope, and the.

TINA's bedroom. ROPE JUMPERS. Seven eight, gonna stay up late! Nine ten - - never sleep again!

MOVING ANGLE FAVORING NANCY. She's a pretty girl in a letter 7. GLEN, holding her hand, wears one of the school's.

Tina's in. mid- conversation. TINA. (referring to kids' song). That's what it reminded me of - -.

Worst nightmare I ever had. Watch Killing Zoe Putlocker#. You wouldn't believe it. Nancy nods. NANCY.

Matter of fact I had a bad dream. TINA turns to NANCY, but before either can say more, ROD LANE, a. Richard Gere sort in black leather and New Wave studs joins.

ROD. (to Tina). Had a hardon this morning when. I woke up, Tina. Had your name. Tina cracks her gum with a look of withering indifference. TINA. There's four letters in my name. Rod. How could there be room. The guy's stopped in his tracks. ROD. Hey, up yours with a twirling lawn.

He cuts off across the lawn. TINA. Rod says the sweetest things. NANCY. He's nuts about you.

TINA. Yeah, nuts. TINA makes a face and rakes her fingernails across a tree as she. TINA (CONTD). (yawns). Anyway, I'm too tired to worry. Couldn't get. back to sleep at all.

So what you dream? NANCY. Forget it, the point is, every- .

No biggy. GLEN. Next time you have one, just. That's the trick. Once you do that, you wake right. At least it works for me. TINA looks at GLEN sharply. He kisses NANCY and darts off for.

TINA. Hey! You have a nightmare too? But GLEN's gone. TINA (CONTD).

Maybe we're gonna have the Big. Earthquake. They say things get.

BELLS ARE RINGING, and STUDENTS crowding; TINA and NANCY are. FADE TO BLACK. 8. EXT. A VALLEY STREET. NIGHT. 8.

ANGLE ON A MODEST HOME; no car, just a couple of BIKES in the. Every light in the house and yard is turned on. We HEAR. the rock group MADNESS played at a 'No adults home' volume. INT. TINA'S LIVING ROOM. NIGHT. 9. ON GLEN, dialing. Nancy and TINA are watching, giggling.

TINA. I can't believe his mother let him. NANCY. Right. Well, she didn't, exactly..

GLEN shoves a cassette into TINA's Ghetto Blaster. GLEN. (to TINA). See, I got this cousin who lives. So I. found this sound effects tape at.

Licorice Pizza, and.. The phone is answered. GLEN jerks the tone arm off the record. SCRUUPT!! GLEN (CONTD). Hello, Mom? (pushes the 'play' button). Yeah, out here at Barry's. A JET PLANE begins to make itself heard on the tape.

GLEN moves. the machine closer to the phone. It's a big plane - - sounds like. GLEN (CONT). Huh? Yeah, noisy as usual. Glad. we don't live here - - huh?

Yeah. Aunt Eunice says hello. The Jet is SCREAMING IN now, full flaps and howling like a. NANCY and TINA dissolve into muffled. GLEN (CONT). (shouting over the din). Right, right - - I'll call you in the.

Right! Huh? Yeah, sure. I, huh?. Suddenly the tape goes silent. GLEN blanches. Next moment. ENGINE is heard, but this one is a FORD LOTUS screaming. GLEN (CONT). (reacting to his mother's. Uh.. some kid's drag racing. I think.. The sound effect changes abruptly to a SPEEDING SEDAN - - and the.

SCREECH of BRAKES, last- second SCREAM and horrible. COLLISION. NANCY gamely tries to find the right button to turn.